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Violence and the Moral Responsibility of the Artist

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My movie-watching habits changed some 18 years ago when, having seen and laughed through much of Quentin Tarantino’s comic-violent second movie, Pulp Fiction (1994), I backtracked to his debut film, the less comical, more violent Reservoir Dogs (1992). Alas, so nonchalantly, relentlessly violent was the latter that I found myself in the movie’s aftermath wishing [...]

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